
Said Things Like the Empty Coconut Floats To The Top, 36 x 48
Tom Christopher will be featured in an upcoming solo show in Frankfurt, Germany with Galerie Barbara von Stechow in November 2025.
To have an exhibit in Frankfurt, the land of my heroes, is exhilarating. Der Blaue Reiter and Die Brucke artists like Kirchner, Pechstein, Schmidt- Rotluff all lived and worked here. German artists are the best, so walking into a German mansion and seeing your paintings displayed next to works by Georg Baselitz, Käthe Kollwitz and Emil Nolde is both uplifting and incredible. As an artist, you feel part of history. And moments like this make it seem like all is good in the art world.

Tom Christopher, Barbara von Stechow, Norman Thatcher Scharpf, U.S. Consul General
I’ve always been inspired by German artists. And much of it was formed by the horrors of WWI. So you can’t recreate that directness, that force, the color, the intensity of drawing, impossible to imitate. But you can try to steal their ideas. To paraphrase Picssso “Good artists borrow, great artists steal.”
In German work there is a kind of fearlessness that I admire deeply. A structure beneath the chaos. A logic under the wildness. Another artist once said: “One should draw classically and paint like a wild ape.” That line has stuck with me, discipline at the foundation, barely contained chaos on the surface. That’s the balance I chase in my own work.

Move Over Broadway, 48 x 60
Why German Expressionism Deserves More Recognition
Honestly, if it weren’t for starting two World Wars, I believe German art and artists would be heralded globally as Picasso or Matisse are. And in certain circles, it already is. Curators, collectors many serious artists get it. German Expressionism isn’t just a movement. It’s a way of seeing, a spontaneous reaction to people and an urban scene or landscape. Color and form tell a compelling, direct many times a raw story.
Working With Galerie Barbara von Stechow
Barbara the gallerist and I have been together for almost 30 years, which in the art world is practically a record. One hears that some artists can be difficult. Not me. Of course. Barbara is patient and really brings out the best in her artists. A friendship and a long-standing collaboration that speaks volumes not only about the work, but about art world relationships, trust, and shared passion.

The Watcher, 36 x 48

An People Do Love Good Stories, 36 x 48
German Exhibition Archive

Großstadt-Symphonie 2021
“The painter Tom Christopher (born 1952) captures the dynamics of the metropolis of New York on canvas
and paper with luminous colors, telling of the everyday life of people against the backdrop of skyscrapers.”
Big City Symphony, July 25th – September 12th, 2021
New Art Association Aschaffenburg eV























